Just like there are ceramics collection story

For the Friends of Tibet, the play is a collection speaks preferences. Although the collection of different categories, but as long as you like, and patience, careful, sincere collection preserved together, we have an infinite collection of fun and people appreciate the story collection.

He and stamps "play" for 60 years

Liangjin Bin this name, philatelists in Shunde, Guangdong Province, almost no one does not know. His 62-year-old, with the stamp "play" for 60 years.

By parents, siblings edification, Liangjin Bin knew from the age of two stamps, five years old, "love" stamp, unable to extricate themselves from. 1975 admitted to the university, he promoted among students on the stamp collection, collation and exchange, but also to make their own stamp collectors have a better understanding.

In 1995, he became involved in the organization of Rongqi Philatelic Society and later Rongqi work, Guizhou merging of two Philatelic Society. Since then, he handed over the whole body and mind are loving philatelic career. Every year he sent to members name of the Association covers, sheets three times, with the letters, sheet to record the activities of the Association history; ask its members at least a year to personally send to other members covers, sheets once, so that "Youyi "extends to every corner.

2004, Liangjin Bin occasional small newspaper run by the "colorful postal Garden", we hope to provide some practical knowledge and loved postal messages, and thus strengthen the links between members. September 2009, he took over the Shunde District Philatelic Society "Shunde Post-Intelligencer," published every two months a; October 2010, he founded the "Campus Mail" for primary and secondary students philatelists provide services.

In order to promote philately culture, he is also keen to use the Internet and computer technology to produce a large number of color postally covers, such as covers Wenchuan earthquake, China's first township covers, covers the 10th anniversary of the reunification, Youth Day closure , No Tobacco Day seal. Liangjin Bin said that each message should be carefully selected collection of materials, look for stamps to cover the day's postmark post office, etc., it is put in some effort and time.

"Currently, a number of primary and secondary schools to carry out Shunde philatelic activities." Liangjin Bin said that from his experience of growing point of view, can bring philately improving the overall quality, he is willing to promote youth philately cultural aspects.

(Duda Xiong)

Discovering ancient bowl patch

Some people love the collection and paintings, it was love collection ceramics. 63-year-old Mr. Wu Li bridge instead like to collect all kinds of ancient ceramic bowl.

Recently, Mr. Wu in Guangzhou Cultural Plaza on the 3rd Fangcun One veteran atrium gallery display his collection of various types of early Qing Wen ceramic bowl. One of the biggest is the blue and white bowl diameter 43 cm, the smallest diameter of only 7.8 cm of blue and white bowl, as well as the most expensive of the family retained, worth hundreds of thousands of Song YINGQING bowl, this bowl tires as thin as paper, Knock as chime sound. In the range of ceramic bowl, undoubtedly the most surprising patch bowl, attracted many visitors to the eye, called "Li bowl."

Patch bowl so strange young man who did visit absolutely amazed Road, while the elderly are older counterparts joke: "Late folk and even early liberation of the city of Guangzhou repair ceramic bowl regarded as a" Useful food "line of business. Saying goes" no diamond, do ceramics live "is described this as one kind of jobs, very respectable." clothes can mend, but the ceramic bowl can also mend indeed an eye-opener.

Mr. Wu introduced early Qing Ming people's lives is not rich, China pit bowl and rare, and if so there are some cracks in the bowl, it will please the master copper bowl same clothes sewn up like a complement. Before the liberation, Guangzhou Thirteen have specialized craft workers fill bowl, fill the bowl now work no longer exists, so this precious patch Bowl became his favorite baby.

June 8 during the Dragon Boat Festival, Mr. Ng will be held again at the Veterans Gallery "bowl" collection of small exhibitions. By then, he would only collection of dozens of "grandfather class" bowl unfolded.

The authenticity of identification dynasty porcelain

Identification dynasty porcelain authenticity mainly uses the following two methods:

(A) scientific and technological means, such as "TL" and "cremation seed analysis", these two methods error is small, measuring age of porcelain firing accuracy rate is higher, but the test is required when drilling in artifacts hole, remove the small sample, will produce damage artifacts.

(2) by virtue of experience with this method, although subjective factors, but its simple, unaffected by other conditions, so the current identification of the authenticity of porcelain mostly used this approach.

We are here talking about "experience" refers not only to understand the chinaware fake way, but also to understand the dynasty porcelain at different times of the shape, glaze and firing conditions change, sometimes need to use the "reasoning" way to help us identify the authenticity. For example, we are now in the antiques market and some private collections from time to time you can see the Northern Song dynasty "official Jun" products, there are pots of care, nail wash drum and the like, its production said in the past, and also the bottom Jun engraved confirm its official "identity" of digital numbers, which for some even very rare porcelains genuine opportunity to get started ceramic collectors concerned, is undoubtedly a "chance."

But only, after the expert an appraisal, I discovered that they pay "tuition." In fact, identification of the authenticity of the Northern Song Dynasty chinaware kiln product should be one of the most simple thing, it's just a common problem: the establishment of Northern Song court chinaware kiln production is exclusively for Queen's, prohibited the use of folk, who burned all smashed buried. 70 Jun Taiwan kiln in Yuzhou comprehensive excavations, chinaware kiln products have not been applied a complete, can be seen by the official Jun use is strictly limited, it can not dispersed in society. So now we come into contact with in the market Songguan Jun porcelain is basically false.

Jun modern imitation general, or from the place of origin of God Hou Yuzhou town, where not only the fine tradition of firing porcelains, but also focus on a number of today's finest porcelains produced master. God Hou town chinaware produced at a rapid pace in recent years to move forward with, whether it is the shape of objects, or a glaze changes have greatly improved and enhanced, but in the face of fierce market competition, it also faces the marketability of the product problems.

Several authors are familiar chinaware artists complained: Now collectors do not like the new goods, some thick old book today. In this case, God Hou also began production of antique porcelain chinaware, such as statues, bottles, stove, bowl, bowls, plates, etc., its shape is generally italics, gold, Yuan Dynasty kilns the shape, the production process and spot color decoration also sought similar. Antique porcelain production itself is understandable, but if artificially's do the old, filled in the antiques market, not only will the image of the ancient porcelains prejudice, but also easy to make the antique market confusion.

2, to identify the authenticity of dynasty porcelain, from the following aspects:

First, look at its production process. Jun kiln porcelain from the start at the beginning of the "Tang Jun", after the Song, Jin, Yuan, Republic of imitation until Jun blanks are used is hand craft. This process is characterized by thick bottom utensils, and then gradually upward trend thin rim artifacts carcass at the thinnest. Lucy in the glaze at Quanzu artifacts can also see fine rotation pattern, wall thin enamel at a round finger marks.

Some modern imitation porcelains is mass production, it uses a material made molds, then use the "grouting" perfusion. This method is made out of porcelain tire uniform wall thickness, lighter weight, more crudely that due fettling not fine, you can touch both sides of the objects into the mold seam marks, which is the most botched a fake person practice, some smart objects in the interior of the bottle body such as bottle type, it is difficult to detect the site of some other substances stick artificially (such as cement) to achieve a heavy feeling ancient porcelains. Or "grouting" wall molding artifacts deliberately made round fingerprints, but on closer inspection you can see the real "Hand blanks" uniform fingerprints are different, not only mimics the rough wheel finger marks, and each ring ring ring finger marks with each distribution is extremely uneven.

Secondly, look at its glaze and enamel. Song dynasty porcelain azure, sky blue, white glaze, uniform shiny, opalescent included, although dating back nearly a thousand years of history, but because of the Central Plains groundwater content is less, the amount of alkali in the soil medium, So whether it is burial or kiln porcelains unearthed hidden, very few chunks of soil rust bonding phenomenon, which tend to produce outstanding enamel porcelains, very enjoyable. Modern imitation italics Jun Jun is whether the shape, or imitation gold, the characteristics of the Yuan Dynasty porcelains, which are mostly sky blue glaze, with little azure, white glaze. And in order to achieve similar enamel porcelains unearthed deliberately falsified soil to the floating light rust or for processing, but its effect is negative, giving the impression that the glaze black hair, not natural, looks extremely uncomfortable.

For the old and distinguished its approach to the following categories:

(1) using tools such as chinaware skins repeated friction surface, in order to achieve to their floating light effects. While the glaze is smooth, but careful observation under a magnifying glass, you will see numerous parallel friction marks.

(2) into the new imitation porcelains with a corrosive acidic solution such as immersion, although it could make the porcelain surface loses bright floating light, to do the old effect, but often seem very dull glaze in under a magnifying glass you can see the scars.

(3) are sometimes fake is also aware of the above methods to harm glazed porcelains, so it uses a soft cloth containing oils throwing fight, the same can produce soft glazed effect, but with genuine glazed smooth delicate touch significantly different, fake processed glazed porcelains touch with oil texture.

(4) After soaking in an acidic substance, immediately to cover the soil, making artificial soil, rust, rust penetrate the soil and this glaze, it is easy to deceive collectors fooled. In fact, according to the North in recent years unearthed chinaware, and Kwan Taiwan kiln porcelains excavated a large number of specimens obtained perspective, Jun porcelain surface soil rarely rust, rust appeared bulk soil bonding phenomenon is even more rare , mostly showing a smooth and delicate effect. Some fake made by the adhesive bonding of soil rust illusion, in fact, self-defeating, superfluous move.

(5) Human enamel peeling phenomenon. Fake porcelains are sometimes deliberately ripped the bottom part of the foot part of the glaze layer, exposing the aggravation, in order to achieve age-old gives the feeling. Because modern imitation Jun genuine and ancient porcelains made from the same raw materials fetal origin, so the color is very close to the tire. But with genuine natural peeling enamel careful comparison can be found adulterants flaws: genuine enamel stripping section is substantially straight stubble, adulterants enamel stripping section is inclined stubble.

For dynasty porcelain identify, in addition to the above points, you can also be considered from the following aspects:

Jun porcelain glaze on genuine massive kiln spots of purple; imitations kiln lighter spots is not too deep. Imitation fetal color slightly lighter than the real thing, but because the ancient practice Amoy mud tires complicated process, so Taizhi delicate dense and modern chinaware fetal mud Amoy practice is relatively simple, sometimes with impurities or section Taizhi produce pores.

According to the author's many years of chinaware production observed most modern imitation of Jun porcelain is produced neat reach Song Jun, Yurun crystal glaze process effect, mostly imitations but relatively close to the gold, the Yuan Dynasty porcelains style However, tires, glaze and gold, dollar and it looks relatively thin compared to the period.

In short, the authenticity of chinaware able to distinguish between day and night is not completely grasp the knowledge, it needs to accumulate and continue to learn, observe and try to figure out, but more often to understand the development of modern chinaware production process changes and imitation Kwan new trends .

Located in Xuchang Henan ancient ceramics museum display style of ancient ceramic culture

Henan Organization Committee approved and agreed in Yuzhou JunGuan kiln museum plus a "Henan ancient ceramics museum" brand, which is the first in Xuchang "Henan," the title of the museum.

Especially to showcase Henan Xuchang splendid ancient ceramics deep cultural, Xuchang municipal government agreed Yuzhou city relying on the national key cultural relics protection units Juntai dynasty ruins, combined with the results of archaeological excavations, investment 120 million yuan to build the Yuzhou Jun Guan Kiln Museum.

It is understood that Yuzhou Jun Guan Kiln Museum is located Jun Kiln Road, the eastern half of JUNTAI JUN kiln, built hall beginning established to create a national museum, the museum's first-class destination. The museum covers an area of ​​47,000 square meters, construction area of ​​15,000 square meters, the exhibition area of ​​4980 square meters, the main exhibition hall, exhibition hall Song Jun and Jun porcelain kiln ruins engineering technology research center composed of three parts. Existing cultural relics, nearly 18,000 specimens and exhibits, the museum heritage collections 1230 (sets), where collections of precious cultural relics 326 (sets). Basic display "Yu water Gabriel • Glazed Millennium" including "Dayu State", "ashes Millennium", "Queen officer Jun", "Synthesizer of the Road", "Wan Cai Yonghui" five parts. "Specimens of ancient ceramics exhibition" exhibition artifacts more than 1,500 pieces of ceramics, ceramic specimens of more than 4,000 pieces. Since opening in November 2011, with its rich content, in the form of fine, high-quality service, elegant surroundings, aroused enthusiastic response and acclaim, won the 2012 annual Henan Province outstanding display and exhibition. Through continuous improvement to enhance the museum has been built into a set of collection, exhibition, research, education, communication as one of the characteristics of thematic museums.


Jun Guan Kiln Museum vigorously promote chinaware culture, while also collecting a lot of each era pottery, as well as Ru, Ding, Pa village kiln, kiln ligou other large collections of porcelain, with a certain build Henan ancient Ceramics Museum conditions.

Xuchang is the hometown of the famous ceramic culture, Yuzhou city is one of China's five famous porcelain chinaware origin, ancient ceramics culture has a long, colorful, especially chinaware unique. Dynasty began in the Tang and Song Sheng, Jun product of "the same color into the kiln, the kiln million Choi" magic changes is known, is a Chinese ceramic art in the history of a magnificent and wonderful

Buy the ancient porcelain of six principles

Many people do not know when to buy porcelain how to identify true and false, so-called experts see Road lay watch the fun, you can emulate some antique porcelain greater extent than many people think is really really afraid of being taken while holding prohibitive. Recommended for you here, "the six looking to buy porcelain principle" want to buy your porcelain bring some help.

   A look styling. Different dynasties of ancient Blue and White Ceramic Bead Earrings have different shapes, sometimes from the shape can determine roughly what era porcelain.

     Second look aggravation. Porcelain at different times on different Taizhi. For example, dating back 4,000 years ago, Shang and Zhou dynasties green glazed porcelain, also known as primitive celadon celadon lower stage, the fetus is gray and taupe, Taizhi hard porcelain higher degree; their green glaze, the glaze layer is thin, uneven thickness. This is because the method was carried out using enamel glazing Lek's sake.

 Third, look at ornamentation. Works of different eras distinctive ornamentation, with the prevailing culture.

     Four to see the inscription. Some ancient porcelain inscription printed on the bottom of each dynasty inscription has a different wording. From the inscription can also be identified in an era of ancient porcelain and value level.

   Five look at technology. Not only look at the collection when it's the shape of the pieces of porcelain, but also reflect the value of the level of technology is an important indicator. For example YINGQING ceramic bowl, Song Yang used when burned, so the bowl left imprint; while Song is used when re-burned (bowl up, a stack of one), so Wan Yan left, "mans mouth", so the Southern Song Dynasty Most of the bowl is edging. Phnom Penh court with bowls bag, money bag silver edge rich families, and ordinary people with a bowl on the side of the copper clad only. In the collection, when using these bowls edging residual material can deduce the identity of the previous owner bowl to identify their value.

 Six look feel. The so-called hand, refers to the collection in the purchase of these porcelain porcelain feeling when you play, such as whether to feel mellow and smooth. Reportedly, some really experienced people in the identification of an antique collection time, just put it in his hand caress a while, you can put this genuine artifacts and value reckon pretty close.

Contemporary ceramics collection of new plays

According to the Jingdezhen Ceramic network is understood nowadays, obsessive contemporary ceramics "fans" in the growing ranks, chatted collection at the beginning, they often tacitly smile, understanding from a common experience: early heart in porcelain, the case After setback, steering contemporary ceramics.

No contemporary ceramic porcelain of brilliant light in the dark, has become a "thumping" porcelain collectors a new choice, why not?

First, some collectors in contact with porcelain, and found "Hou door into the deep sea," not only the genuineness of porcelain is difficult to research, even the team of experts identify good and bad. Senior porcelain collector Wong Ching Chuen passed through such a detour. He laments the modern high imitation goods, not only technical means amazing, but also the psychological moderation is also quite accurate. "Even the size and weight of porcelain imitation takes exactly the same as the Forbidden City, the false than true porcelain Qianlong Qianlong's also fine, really it is difficult to conclude that the gods."

Secondly, today's porcelain collection to fight the economic strength, so many people love it because of a shortage of funds stop. The price of contemporary ceramics and porcelain, compared more easily accepted as ordinary collectors, and can continue to rise to new "play", so that the collection process becomes fun.

After some situation, as early as 2002, Wong Ching Chuen began turning contemporary ceramics collection. Wong Ching Chuen collectors are not the same with the other, he personally went to Jingdezhen porcelain ceramic masters buy a home. Shrewd he soon noticed that these masters are "bad", often frozen own boutique in the "purdah", but only on the outside put some relatively "ordinary" work. This time, he refused to be easily shot down, instead of using devious tactics, ground running Jingdezhen, make friends with the master, and then slowly become familiar with each person's writing style.

Jingdezhen do have a special pot small workshops, Wong Ching Chuen take advantage of these resources to start their own design pot type, then please Masters in the above inscription paint. Each craftsmen are at his request, painted to represent the most distinctive pattern, so people see at a glance who is calling the works of masters. Wong Ching Chuen made a total of two hundred pots, flowers, birds, landscapes, figures and other patterns not identical, lifelike. He also personally designed a special home display pots of exhibition stands, friends to play with that can be directly removed.

Wong Ching Chuen Favorites "category" Unique, since "pot king." He will be "small universe big pot, pot world wide" as a motto, because he knew about the world of contemporary ceramics collection there is still much to explore space, like this pattern in the future will be different collectors in the hands of another.

Play the pattern just getting started for lovers of contemporary ceramics, Dan is slightly higher, how to Amoy to good china is the top priority, this, "pot king" has its own trick-phase grant.

First of all, do not follow suit, not greedy name. It may not be masterpieces pieces are fine, not draw charm copied for everywhere, the pursuit of fine quality collectors may not favor.

So, focus young artists without losing wise. But a new problem arises: Jingdezhen provincial arts and crafts masters title, will be born each year dozens, how to identify their artistic attainments of the abilities?

Wong Ching Chuen After years of trial and error, to find "safe" collection rules: There are inheritance, there are titles and young artists, most potential. Rationale behind that? The senior artists in Jingdezhen Wang Qiuxia, for example, her father was smashing Chinese ceramic art master Mr. Wang Xiliang, and father and daughter and are well-known of the "Pearl Mountain Friends of Eight," the successor. With this home order origins, Wang Qiuxia pastel works tastes, as her work name "Peach Blossom by incense still in the rain," reminisce. Like the young artists like Wang Qiuxia not in the minority, all in personal choice ya good.

In addition to Jingdezhen ceramic artists, the "academic" This creative community can not be ignored. Wong Ching Chuen think, today's "academic" active thinking, not rigidly adhere to traditions of the past, there are many innovations, such as the colorful, pastels and other traditional porcelain to explore, can be described as excellence, continuous hair growth. Today, the university professor and master's works, very popular these days.

China has thousands of years of ceramic history, then in the creation of contemporary ceramics there is much space for expression? It is compared with the porcelain, tradition and innovation has been reflected in where?

To further understand the "heaven and earth", I visited art curator Mr. Yu Honghe, he recently was busily preparing for "porcelain rhyme Chunhua" - Eighth famous contemporary Chinese Ceramics Exhibition.

Through each session of the exhibition, please artists personally live performances, on the Red River on the road of development of contemporary ceramics deeply sentiment. He believes that an artist in order to find their own place, you must combine tradition and innovation go on the road. In the Red River in blue and white, celadon porcelain decoration comprehensive category, the interpretation of the new changes in contemporary ceramics.

Light blue and white: From casual to deliberately pursue

Blue and white porcelain began in the Tang and Song, experienced aesthetic change of different dynasties: the complicated patterns, the level of diversity of Yuan blue and white; neat and delicate, elegant and gorgeous bright blue and white; Lvyi easy, rich themes of clear blue. Until modern times, seems exhausted a variety of styles, a variety of themes blue and white, still in the artist's exploration constantly "amazing" debut, nowadays blue and white, so that people find the traditional and the new era fit.

For example, national artist Mr. Wang Yinquan the light blue and white, bright unique artistic language, especially white underglaze fill skills mature use of three-dimensional space of expression, breaking many traditional restrictions. He attached importance to highlight the lighting effects, shrouded in clouds in his hands the birth of a "steaming Yunmeng" like vivid texture. Wangyin Quan traveled only create their own landscapes, photograph of landscape paintings porcelain "moon pine photos" both real and ethereal, vision, medium shot, close-realistic distinct levels, dim moonlight poetic, like the gurgling water There's an echo. Because the performance of "Rain, snow, fog, night," is very difficult, so the ancients rarely blue creative works such content, but that is Wangyin Quan's strengths.

Wang Yinquan early years under the tutelage of master segment Maofa ceramics, after more than 30 years engaged in stagecraft, and then back to ceramics creation. It is this special stage art creative design experience inspired him to Western painting concepts into blue and white decorative art to form their own unique style. From the initial inadvertently attempt to deliberately artistic pursuit; inherited from the traditional to the fusion of modern art practice, the creation of contingency and necessity like wings, inspired the artist's inspiration for innovation, to enhance the expressiveness of the blue to a new levels.

Celadon: Once again the sheer beauty of filmmaking

Artistic level in the Song Dynasty celadon had reached the limit. Today, the beauty of contemporary celadon why once again touched the hearts of modern man? In the Red River that is its purity brings a sense of calm in the "fancy" ceramic world thriving, but also a scarcity of modern ethos.

In ancient celadon appear often as daily necessities, "destiny" as the ruler of the aesthetic taste and the "ups and downs with the Lord." Contemporary celadon glaze and device type on the ancient with very different, this difference will highlight the contemporary celadon charm.

From the glaze side, than the traditional celadon richer colors. Also plums or powder blue porcelain, is vastly different colors, nuances, see compete. In the birthplace of Longquan celadon, each one is original creators glaze recipes, secret not rumor. Born in a family of Chen celadon phase source, a "eggshell thick enamel" famous. In the history of the creation of celadon, 3-4 mm glaze, firing almost impossible, CHEN Xiang source has inherited his father's "thick enamel" feature, so creative in their own hands reached the pinnacle level. So he's moving color porcelain work, which looks crystal clear and perfect, close-moist jade.

In addition to glaze, the device type, another innovation is the main motive of contemporary celadon. Chen Xiang source to work "tolerance days" for example, it is a very small bottle, but received very imposing; "belly" great spirit of heaven and earth seems to be handling such perfect shape called boutique.

The works of the "high day" creative inspiration from the ancient bestowed reward bottles, but the reward ancient celadon bottle is often used instead of blue and white, like a lotus flower symbolizes as incorruptible. Chen Xiang source comes from the blue and white drawing, with the ancients of meaning, and will become a bottleneck deliberately designed bamboo pattern, so calm and elegant works.

Comprehensive decoration is monochrome, double glaze and a variety of glaze material the use of complex and often combines two or more decorative species, the most common are a combination of blue and white and pastels, pastels, and new color combinations, high-temperature glaze and pastel colors or a combination of blue and white.

Both the performance of the natural flow of glaze abstract beauty, but also depicts vibrant figurative beauty. This combination of modern people, often more flexible than the ancients, aesthetic and more diversified, many of which are never seen in porcelain.

High temperature color glaze porcelain of Jingdezhen porcelains one of the four, glazes produced by high-temperature kiln after bright light color. In the history of porcelain, glaze ware mostly monochrome decor, until the 1970s, before the development of a specific image in the performance and content of glaze techniques. This glaze "rheology, the glaze becomes, the kiln" is often mysterious. To make the glaze clear, structured requires very high technology. In this regard, one must be called Jingdezhen I was born in the water expensive. His early years under the tutelage of Chinese arts and crafts masters Mr. Yu Yangxian, work and the pursuit of ceramic material texture changes,ceramics info what position on the glaze to flow, flow into what shape the answers, and then according to the shape of the design screen. His work "Heming sky over the mountain red", for glaze control, there is the wonderful talent.

I water the works, often the high temperature color glaze and pastels combine to give a rich color screen, rainbow glazed dream-like, whether it is Spring Hill smile, or Fallen Autumn, has a romantic temperament. This temperament is also a contemporary of the human spirit, reflected in the porcelain, and build a new history.

For the charm of Chinese contemporary ceramics, ceramic LI Ju-sheng had a subtle metaphor, he said, learn Western painting in the creation of life is just a memory, like a beautiful lover pass. Painting no matter how good, is a Western, only ceramic, is Chinese, so instead, abandoned painting ceramics ...... which would reveal the root of the traditional left behind innovation delicate relationship with the times.

The chairman and chief executive of visit the Mona Lisa ceramic Sheldon silver

Reporter: Xiao years older than me. We have some similar experiences in his youth worked many different jobs. We used to have no chance to receive a good education, but the Mona Lisa Ceramics day but in the era of knowledge economy, unique, leading the trend. It seems hard to explain in theory, Xiao always think basically what is the reason?

  Silverstone: that it is relatively simple, and our industry-leading companies in the first, based on experience. Experience is emotional, is also useful. Second, adaptable, and the situation is changing all the time, we have to adjust to changing circumstances, the same will lag behind. Third, continue to learn, pay attention to changes in the industry, pay attention to changes in the market. To learn other people's good stuff coming soon, and then help clients change their ideas, improve management level. I myself often go the market and often communicate with the dealer, some dealers had to look pegged our company, hope we can often have lower prices, subsidies and other support to him. After our exchange, these dealers changed the concept to the market to be effective, business is getting better, creating a win-win situation.

(According to reporter observed: the ability to reuse the knowledge-based professionals, but also Monalisa Ceramics industry leader in the important reasons.)

  Reporter: 2003 Mona Lisa Asset Reorganization situation how? How you responded to this turn of events?

  Silverstone: In 2003, the Mona Lisa and some senior leaders to be separated out, otherwise entrepreneurship. When I received the news in Japan on business. When I came back, some executives go. Some employees are also ready to go, the company general feeling of insecurity. Is there anybody out to buy a few suites, with delivery vehicles, to send the Mona Lisa room to attract talent. But I am confident that a clear conscience, worthy people, which the company is a cohesive, most in the senior management of the company have feelings. Is excellent. I am touched by the fact that some middle and senior management talent to drive people to the room he was not firmly so I'm back, I would not ask him, as long as I use him, he will not go. I have no special talent means leaving just opened the meeting to announce that the Mona Lisa company will also continue to act, but also to do a better job. So talent and heart and stabilized. As long as you stay, regardless of your past with whom we have great respect for you is good. Duties, privileges, benefits unchanged. So we share common goals, through the crisis. Later, we all believe in my words: this crisis is only the history of the Mona Lisa Ceramics episode, he would soon be over.

  We were on the company's upstream and downstream also done some work. Such as suppliers, as long as in the past the company promised to pay your creditors, we will be honored. Although we did not know the circumstances reasonably, but still fulfilled, this honor is the tens of millions. Suppliers very satisfied. For we are confident that, regarded the best raw materials supplied to us. Later we have taken some of the dealer warehouses and other security measures, so that dealers must make money, down twisted into a rope. So Mona Lisa Ceramics defuse the crisis, has entered a new period of development. We then conduct human-centered theories do give a vivid interpretation.

Tang and song dynasty ceramics products

This flash yellow bowl in white glaze, decorated with patterns of natural lines and smooth, graceful, high spirits. Bowl of inner and outer walls are incised by relatively rare, this bowl is a fine of as Ding porcelain.

Three color flower boxes (Tang)

File: Gong county kiln, length 12cm
Commentary: This piece three color flower boxes were four Begonia fancy, concave corners, upper and ceramics info lower symmetry, picture mouth snap, pearl ground convex roof wishful knot pattern imprinted. Fine white tires, carcass thin, fine, compact. Midpoint white glaze decorated green, yellow glaze, glaze over branch burn. This box modeling handsome and elegant, bright color separations, printing a simple décor clear, with gold and silver Tang artistic effect, Art Ceramics is such a cartridge in the boutique. Verify the gold and silver utensils for ceramic impact also left to future generations their exquisite printing process model.
Boxes can be divided according to purpose food containers, powder, oil box, mirror box, Dai boxes, shapes are varied. The box for the ancient aristocratic women bloom cosmetics dressing utensils, household utensils is an important product.
Ding bow carved bowls (Song)

File: Ding, diameter of about 18cm, the National Palace Museum in Taipei
Commentary: This piece collection exposure, oblique abdominal, ring foot, near the bottom of the inner fold. Quintana Shi teeth white glaze, cover mans mouth burn, mouth silver inlay. Inner and outer advanced ceramic walls scribing lotus, lotus pattern, bowl heart scribing dragon dragon, dragon dragon carved vigorous and vivid, knife Emotion powerful, natural lines clear for Ding's good works. Song engraving is a popular decorative ceramic technique, Song Ding carved its slender lines and smooth, while the Song Dynasty blade skill exquisite carved crown. Pattern showed a single contour line side, the other side was double, double from the outside rough composition of fine lines within such a composite wire consisting of carved engraving is Ding's a great feature.

18 pieces of exquisite ceramic works won the special gold medal

Yesterday morning, the new "Chinese Cultural and Creative Arts Award" at the Convention Center, 6th Floor, Osmanthus Hall ceremony, peonies micro book "Zhen Guan" and 18 fine arts and crafts from the country sending the 2138 participating works stand out, Get special Award, Municipal Committee, Publicity Minister Wang Jingsheng, vice mayor Wu attended the ceremony in a ring and presented the awards to the winners.

It is reported that Chinese Cultural and Creative Arts Prize by the Fair Organizing Committee, Chinese Cultural and Creative Arts Prize Committee, Shenzhen International Cultural Industry Fair Co. sponsored Arts and Crafts Association, Guangdong Province, Shenzhen City Arts and Crafts Industry Association of the contractor.

According to statistics, the current events from around the country received a total of 2138 outstanding works. The Chinese arts and crafts masters, industry experts jury assessed were selected out of 268 gold, 317 silver, bronze 369. Among them, peony micro book "Zhen Guan," porcelain "Four Seasons fragrance," ceramic "Peak", ceramic "Emperor," purple "thought papers: eye", wide color "Xianting To love map" Duan "zodiac" gild eight large lobster crab basket "step by step", reunion Diao large dining table, ebony "Dharma" series, grand plans Desks + bookcase, jade "China Dragon Chinese dream", K gold three-dimensional double-sided embroidery "only I alone embroidered" tapestry "Sakyamuni Bunsen Biography", double-sided embroidery disparate "Yang Yuhuan," Vietnam pear inlaid rosewood carved "clouds crane" ground seat screen, lobular red sandalwood fine carved cloud dragons scaffolding bed, Duan "painting" and other 18 works were awarded special gold medal.